Light on the Poem In the Corporal Fight, the impasses and reinvenes the one that the poet would be subject in its poetical passage already are apparent. Gullar appears as a vanguardista in this workmanship, what we can confer with the affirmation of the poet on the poem ' ' Rozeiral' ' , years later, in an interview where it says: ' ' I had blown up the language in the end of my book the Corporal Fight. Why I blew up the language? I did not think to be making no innovation. One was about a existencial problem, of knowledge, to answer to the life (…) I I had destroyed the language, it was not a trick, it was not an attitude ' ' (p.10, 2000) Gullar wrote the poem from a vision of the disappearance of the flowers of a before flowery garden and that now they vicejavam only in its memory. From there the joy appears of its poetry: of the fenecimento of the flowers and the explosion of the language.

Therefore, its poetical joy emerges of the destruction, the chaos that restores and where it persists and subsiste the life. Rozeiral Au soflu i light you pom- Par innovates? furor orbit you the animal scuro fo- go Rra the poetry of Gullar, therefore, is born of the astonishment, the same astonishment of Flag in ' ' Bicho' ' , therefore that it matters for the poet is the man, the life, as we can certify in an interview to the critic and writer Jose Castello: ' ' Literature has that to change the life. It cannot be gratuitous, cannot be to toa' ' . This its thought continues effective until the current days, and guided its poetical one exactly when it stimulated to everything not to believe it more the man, during the period of the military dictatorship.