Corporal Fight
Light on the Poem In the Corporal Fight, the impasses and reinvenes the one that the poet would be subject in its poetical passage already are apparent. Gullar appears as a vanguardista in this workmanship, what we can confer with the affirmation of the poet on the poem ' ' Rozeiral' ' , years later, in an interview where it says: ' ' I had blown up the language in the end of my book the Corporal Fight. Why I blew up the language? I did not think to be making no innovation. One was about a existencial problem, of knowledge, to answer to the life (…) I I had destroyed the language, it was not a trick, it was not an attitude ' ' (p.10, 2000) Gullar wrote the poem from a vision of the disappearance of the flowers of a before flowery garden and that now they vicejavam only in its memory. From there the joy appears of its poetry: of the fenecimento of the flowers and the explosion of the language. Therefore, its poetical joy emerges of […]