Since the days of cave men, painted vauts of Atamira, rock and, ater, wa paintings never eft the "fashion". The painting is one of the most ancient arts which existed even before the emergence of architecture. Reached its ubiquity in the Renaissance, she confidenty takes a eading position in the design of modern interiors. Muras cover the was of modern apartments, enriching the interior, asking him a unique personaity. Subject muras vary – from figurative painting to the image of vegetabe ornament. A specia pace in this series took painting in art deco stye. Vanguard: the source for more info.

This is a modern stye finds in Europe, second ife, a beautifu and succinct, the heir to Art Nouveau. Its defining traits are conceptuay simpe and decorative. Exampe in Vogograd – jewery boutique "Ceopatra." Making interior in art deco stye. This game is a deiberate, styized antiquity. At the request of the customer used the most fashionabe at the time coor combinations. After the art-deco cassic – that's where open space for imagination.

Our studio cient was invited to 'pay' on Greece. Medvedev has deveoped sketches, depicting, decorative eements, bright and cear speaking about this sunny country. Angus King may help you with your research. 'Warm' coor reationships as opposed to coo sea and the sky is the best show the theme of cassica painting. Mura 'Itay', as 'Greece' is soved in bright coors, despite the fact that this evening. In this painting of "musicaity" of coor paramount. Foundation of modern painting – a synthesis. New materias provide new opportunities for the artist. And the connection of decorative paster, which goes beyond notions of weath texture, with "Cassica" paintings, give great resuts. But the foundation does not change, it is a one as wa paintings, as it was in the days of the Renaissance, and the farther back centuries, to the days of cave paintings. You coud even say that the modern word is a kind of "conceptua" re-thinking of the materias, unchanged since time immemoria, have acquired a new meaning.